Saturday, October 19, 2013

The Fat Cats in: "Drip Dry Drips"


Directed by: Jon McClenahan
Story: Chris Brandt, Tony Cervone
Creative Director: Ron Fleischer
Key Animators: T.J. House, Jon McClenahan, David Pryor
Scene Layouts: David Pryor
Background Design: Dick Thorn
Music: Hennes & Harris Music
Voices: Hank Azaria, Ken Hudson Campbell, Doug James
Produced in Association with: Startoons, Chicago, Illinois.
(No creator credit, oddly enough)

We've had a streak of great cartoons for this second batch of shorts, which despite a rocky start with "Shake & Flick", I can still acknowledge that particular cartoon has some positives going for it, and after that, it's been all pretty much uphill. However, that streak hits a peak with this cartoon, the best short in the series so far, and one of the best in the entire WAC run. Definitely Top 5 material. It has absolutely everything you could ask for: A simple, yet well executed story, fun characters, great gags, hilarious voice acting, and most importantly, absolutely gorgeous art and animation. What more could you ask for?

Brothers Louie and Elmo decide to try their luck in the dry-cleaning business. Their first assignment is to have a suit dried and cleaned before 5PM... from the President of the United States himself. Everything seems to work just fine... until Elmo runs the suit through a shredder. With only five minutes on the clock they manage to create a new suit from scratch and deliver it to the President in time, who rewards the two main characters with a very generous stack of cash. Unfortunately, Louie's celebration doesn't last long, as Elmo getting stuck in the high pressure cleaner causes the entire building to explode, along with their money, forcing Louie and Elmo out of the dry-cleaning business.

Simply put, "Drip Dry Drips" is an amazing cartoon because once it sets itself up, it never stops until the very end, keeping the viewer glued to the screen at all times. I love how the short jumps right away from Louie and Elmo in their small apartment to them opening the dry cleaner. How did they manage to get that? Who cares? We have seven minutes of short to fill, so let's move right away to the action. This is followed by the setup with the U.S. President calling and immediately showing up asking in person to have his presidential suit ready by 5PM, which is great. What could be more important than this? The characters and the stage are all set, and given the importance of the situation at hand, we can take a guess where this is going.

We get a few filler scenes at this point, but they're hilarious. Easily the best scene in the cartoon is Louie asking if the suit is finished, then he pushes a button causing several pieces of clothing to slide in rails, but suddenly big pieces of meat slide by, making Louie do a double take. He runs to the back of the store and finds Elmo holding a meat hammer and standing next to a cow. Elmo does an awkward laugh and asks "What was I supposed to be doing?" Brilliant.

The story reaches a climatic point when Elmo ruins the suit to shreds, and in an amazing montage, Louie and Elmo manage to produce a new, identical one, just in time for the President to receive it. Not only is this montage hilarious due to the scenes ranging from pretty obvious to incredibly silly (Elmo raising a bunch of silk worms), but it's also believable. At this point I really want the characters to succeed, so after watching all those scenes of Louie and Elmo cutting through fabric and sewing a pair of pants and managing to make a new suit from scratch, I totally bought it. This is also one of the few shorts in WAC with a climax that feels it has an actual sense of urgency. Sure, as I said, we want the characters to do things right, but during the montage, the ending could still go either way. First time I saw this short, I expected something more obvious like Louie & Elmo presenting a half-assed suit, or one that didn't look like the original at all, followed by suffering the wrath of the President. Instead, Elmo getting his butt stuck in the high pressure cleaner causing the whole place to blow up, right after Louie delivers the finished suit and gets the big cash reward, is a pretty good twist, and while it's kind of a downer ending, I guess it was done to set up a series. Too bad this short is all we got of these characters.

I've spent so much time talking about the story, it feels I haven't given enough credit to the rest, but doing that would really be selling this cartoon short. "Drip Dry Drips" comes from the incredibly talented hand of Jon McClenahan, whose solid direction and lively animation is all over the cartoon. His studio, Startoons, had just come from doing several episodes of Tiny Toons and Animaniacs, and if you're familiar with their work there, then you can surely expect amazing art here. This cartoon is filled with hilarious expressions and wild takes, and the great animation and timing make everything flow beautifully. There's tons of stuff to talk about here, but I'll leave it for the screenshots section, where it belongs.

One more thing that definitely deserves mention is the voice acting, which is absolutely top-notch for the main characters. Elmo is voiced by Hank Azaria, who you may surely know for his multiple roles on The Simpsons. I've always been rather surprised they got such a high-profile actor to do a role that's relatively small (Elmo is on every scene, but doesn't speak much compared to Louie), but even then, Azaria made it memorable, as every line he says is hilarious ("Uh... yay, liquidy!"). Louie, on the other hand, talks all over the place, voiced brilliantly by Ken Campbell in one of his earliest roles. He absolutely nails the character, giving him a very fitting businessman voice. It's sort of serious, yet not serious enough for the funny scenes to work... if that makes any sense.

"Drip Dry Drips" is easily the best WAC short we've had so far, making it a great blend of good characters, plot, gags, art and animation. You can clearly tell all the effort and skill that went into crafting this cartoon, and the talented hand of Jon McClenahan makes sure everything goes well together. An absolute classic, and I say it's a staple of what Startoons was capable of. The studio may no longer exist (Brandt and Cervone worked on various projects for Carton Network and Warner Bros., and McClenahan works on freelance now, I believe), but their work will definitely be remembered, and this cartoon is no exception.



Nice fake out joke at the beginning with Louie believing Elmo is cooking something delicious but is revealed to be a burnt shirt he was ironing. Although you have to wonder how do you mistake one for the other. I've smell burnt clothes, it's not a pleasant fragrance.




Stuff like this is what Startoons was king at. Amazing expressions done in succession to express several mood changes, yet still all wonderfully done and fun to look at. We're not even a minute into the short and we get those three above in a matter of seconds.



Not easy to visualize in stills, but I love the running animation of Louie and Elmo going into their new dry cleaning laundry. It's simple, yet very effective and funny.


I love the contrast here, with Elmo's happy, innocent smile and Louie's big business-like grin. Both are great.



More great expressions as Louie realizes it's not the regular phone that is ringing.



The timing here is amazing. Louie answers the red phone and immediately pulls out a cue card to make sure he can read the whole intro to the very important person on the other side of the line. Nice detail with him throwing away the card when he's almost done talking, indicating that he memorized the last few lines of the speech. Also great is Louie hanging up the phone and immediately fainting, without his expression changing. Hilarious.


The scene ends with Louie asking Elmo if he knows who the caller was. The "brbrbr" sound he makes between lines is great, but even more hilarious is Elmo not putting two and two together, instead repeating the line from the previous scene. "Eh... liquid?"


Nothing too special, but I like how Elmo, still oblivious at what's happening, asks the "Who wants to know?" to the President after he himself asks if this is Louie and Elmo's Dry Cleaning. It's kinda silly but I like it.



The President is mostly based on Bill Clinton, who was the U.S. President at the time, but his face is never shown and he's made generic enough not to date the cartoon. Also, love this part here with Louie measuring the President and Elmo monotonously taking notes in the background.



Okay, to this day I wonder how this got past the censors. While measuring the President's suit, Louie measures the inseam, he lifts his arm and... we hear a gong sound effect and Louie quickly apologizes, followed by the President replying a very high-pitched "No problem". There's no innuendo here, Louie literally punched the President in the balls. I'm truly resisting making a pun here, but what the hell, I'll do it. It takes some serious balls to make a joke like this. HAHA! HAHAHA! Haha... Ha... ... I'll show myself out.


Great reveal with Elmo's notes being an extremely kiddie drawing of him and Louie, but Elmo's amazing laugh is what really sells it. Azaria doing an awesome job as usual.



Now this is a great facepalm.


I mentioned this scene in the review, but here it goes again. Just look, it's hilarious.


Love the sound effects as the clothes in the rails pass by.


The change in expression here is simply brilliant. I love it.


And look at THIS. I'm pretty sure this is something Jon McClenahan himself drew. It's amazing.


And here's how the scene ends. It's just so random and dumb, but I can't help but laugh at it.



Love how after Elmo places the suit in the shredder it slooooowly rips to shreds as Louie slooooowly realizes what's going on. We can also see the Animaniacs influence here, as Louie looks like Slappy Squirrel in the second shot, or is it just me?





Also great are Louie's mouth movements as he screams to Elmo "You shred the president's suit!" The timing with the animation and the voice acting is perfect.



Hilarious too is Louie's grim visualization of what will happen to them when the President finds out his suit is ruined. Being thrown into a vortex and into hades? That's pretty serious stuff.



This is really... something. Elmo tells Louie there's still time to make a new suit, they just have to work together. Louie's expression... I'm not sure if it reflects the agony of having to actually work or him slowly realizing that there's a solution... but either way, it works.






These are some of my favorite scenes during the montage, and I love how all of them connect to the theme of making a suit, except maybe the beach one, but it's so silly I can't leave it out.


The back-and-forth between Louie with the President and Elmo stuck in the high pressure cleaner is pretty good, and you know at this point it will end badly. At least the President got out safely.


Probably one of the best "I'm rich" expressions ever.


"We're rich!" *BOOM!*


"We're poor..." The timing is what makes this work. Kind of a downer ending, as I said in the review, but in the end I'll definitely remember this one for what it was instead for what it could have been. Startoons, you did an amazing job.

5 comments:

  1. Produced in Association with: Startoons, Chicago, Illinois.
    (No creator credit, oddly enough)


    I'll still say Jon McClenahan was behind it anyway since it was his studio and all, though maybe I outta ask him someday about that. This is essentially another 'outsider' production for H-B's initiative. Startoons during it's run tried to keep the work in the country on shows like Tiny Toons and Animaniacs while providing some opportunities for up 'n coming animators to wade their feet into this medium from the Windy City. Jon's story alone about how he got into animation in the first place is also very interesting if you follow this link to an interview he gave a few years back...
    http://www.platypuscomix.net/people/mcclenahan.html

    An absolute classic, and I say it's a staple of what Startoons was capable of. The studio may no longer exist (Brandt and Cervone worked on various projects for Carton Network and Warner Bros., and McClenahan works on freelance now, I believe), but their work will definitely be remembered, and this cartoon is no exception.

    McClenahan still does an occasional "Dudley The Dinosaur" PSA for the American Dental Association, another StarToons classic!
    https://vimeo.com/58907428

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  2. Thank you for providing clear information on this. you can also refer Dry Cleaning Business In India

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  3. Hola. Después de darle una leída completa a todas las entradas hasta el momento me dio por revisar el perfil del autor y que sorpresa descubrir que somos del mismo país.

    Estos artículos están muy bien escritos, y son muy entretenidos de leer. El corto de los gatos gordos también era uno de mis favoritos, porque tenía un ritmo impecable y una animación excelente, aparte de que los personajes eran muy carismáticos.

    Una serie con estos personajes me tinca hubiese sido muy entretenida, pero mientras tengamos el corto no puedo quejarme, jaja.

    No imagino los motivos por los que no has actualizado el blog en todo este tiempo, pero espero que tengas la oportunidad de seguir con tus reviews.

    ¡Un saludo!

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  4. Yeah, this is the great place for animation lovers and who want to design best cartoons characters. Thanks for sharing your thoughts and your post is really very great.

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  5. What kind things you said about this cartoon. Thank you.

    ReplyDelete